16 May – 23 August 2009
Beautiful minuscule details, glittering gold leaf and a glorious use of colour: these are the characteristic features of medieval manuscripts. The exhibition Masterly Manuscripts at Museum Catharijneconvent Utrecht, on show from 16 May to 23 August 2009, gives a wide-ranging survey of medieval book production in Utrecht in the Middle Ages, with over 100 manuscripts. Masterly Manuscripts was prepared in close collaboration with University Library Utrecht. For this exhibition, a selection was made from the museum’s own rich collection of manuscripts and the unique collection of devotional books from Utrecht monasteries of University Library Utrecht.
In addition, important loans were obtained from home and abroad. Most of the manuscripts in the exhibition date from the fourteenth and fifteenth centuries. These Masterly Manuscripts are both precious and of outstanding artistic quality, making each one a unique work of art.
Made in Utrecht
In the Middle Ages, the city of Utrecht, as an Episcopal see, was the absolute centre of culture, politics and religion in the Northern Netherlands. The precious and richly decorated manuscripts produced in this period are among the pinnacles that stand out in the history of art. The presence of wealthy clerics, powerful noblemen and prosperous burghers combined to make a fertile seedbed for the development of an influential production of art. All the ‘Masterly Manuscripts’ were either made in Utrecht or have a special connection with the city. The makers of Utrecht manuscripts enjoyed great renown, not only in the surrounding region but further afield and even beyond the country’s borders. Through them, Utrecht acquired a prominent international position in the world of manuscript production and early bookprinting.
From handwritten to printed texts
The exhibition Masterly Manuscripts presents a splendid picture of the manuscripts and early printed books that originated in Utrecht in the Middle Ages and early Renaissance
(c. 695 to 1528) from the vantage point of several different themes. The exhibition looks at those who commissioned the manuscripts as well as the monks and craftsmen who produced them. The production process also receives attention: how many people collaborated on a particular manuscript, how was vellum made, and where were the materials obtained? It will also become apparent that not every book has survived intact. These old manuscripts have suffered from ravages ranging from water damage, ink corrosion and mould to miniatures cut out to be sold separately and the depredations of mice. In addition, the exhibition demonstrates mutual influences between Utrecht manuscripts and books produced in other parts of Europe, as well as the impact of the introduction of bookprinting in Utrecht in 1473.
More onformation about the exhibition:
Click here for the brochure (pdf).
Click here for the specials (pdf).
Click here for the thematic routes (pdf).
More onformation about the exhibition:
Click here for the brochure (pdf).
Click here for the specials (pdf).
Click here for the thematic routes (pdf).
Publication
The exhibition Masterly Manuscripts. The Middle Ages in gold and ink is accompanied by a richly illustrated publication Beeldschone Boeken. De Middeleeuwen in goud en inkt, published by Waanders Publishers.
Leading authorities on manuscripts were involved in producing this book, and the result is a new standard work on medieval manuscripts from Utrecht. Never before has an entire publication been devoted to the production of books in Utrecht. The book is based on sound scholarship, but couched in an accessible style to appeal to a wide readership.
Beeldschone Boeken. De Middeleeuwen in goud en inkt
Hardcover, text in Dutch with English summaries, 160 pages with approx. 150 colour illustrations.
ISBN 978 90 400 8581 9
€ 29.95
Collaboration
The exhibition Masterly Manuscripts is a joint project of Museum Catharijneconvent and Utrecht University Library, which is celebrating its 425th anniversary this year. The show is also part of the international cultural event Holland Art Cities.
Retyping Dante
As an appropriate complement to the exhibition Masterly Manuscripts, the project Retyping Dante will be presented. This project, devised by the Utrecht organization z25.org, explores the transition from web 1.0 to web 2.0 and the collaborative creation of cultural products on the internet. The transition from the Middle Ages to the Renaissance was chosen as a source of inspiration. In practice, this means that an installation will be set up in Museum Catharijneconvent – the ‘Dante server’ – that will visibly collect the letters of typing individuals and use them to retype Dante’s Divine Comedy. Every visitor to the exhibition Masterly Manuscripts will be offered an opportunity to become part of the project Retyping Dante. For more information about this project, see www.retypingdante.com.